助理教授
Tel.: (852) 2972 7465
Fax.: (852) 2972 7324
Email: kmchan@chuhai.edu.hk
By Appointment: Monday to Friday, Office Hour |
Academic Qualifications
Bachelor of Social Sciences (Hons) (Communication Studies, Film Major, Hong Kong Baptist University, HK)
Master of Philosophy (Film Studies, The University of Hong Kong, HK)
Doctor of Philosophy (Film Studies, University of Kent, UK) |
Profile
Kim-mui E. Elaine Chan received her Ph.D degree in film studies from University of Kent, United Kingdom. She taught film theory, film aesthetics, film history, and digital media culture in the MFA and MA degree programmes at Hong Kong Baptist University. Her monograph entitled Hong Kong Dark Cinema: Film Noir, Reconceptions, and Reflexivity was published by Palgrave Macmillan in 2019. The Chinese-language edition of this monograph received in 2019 the 15th Hong Kong Biennial Awards for Chinese Literature, Recommended Prize in the Category of Literary Criticism. Her academic journals and other journal articles appear in Journal of Chinese Cinemas, International Journal of Cinema, Hong Kong Economic Journal Monthly, Ming Pao, Hong Kong Economic Times, Crossover, and Film Bi-weekly. Her columns are published in Tai Kung Pao and Master Insight. |
Monograph
- Hong Kong Dark Cinema: Film Noir, Reconceptions, and Reflexivity (Cham: Palgrave Macmillan, 2019)
- 遇上黑色電影：香港電影的逆向思維 (香港: 中華書局出版, 2017)
- 南派傳統粵劇藝術—經典粵劇古本《斬二王》(香港: 商務印書館出版, 2019)
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Book Chapter
- ‘Sandra Ng’s “Matterphorics”: A Feminist Approach of Recent Hong Kong Cinema,’ in Stefanie Van de Peer, et al., eds. Toward a Global Women’s Film Heritage: Stretching Archives, Remembering Stories, (UK: Archive Books, 2025)
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Referred Journal and Other Published Work
- ‘A Film Persona of Chin-hsia Lin: The Pleasure of Reflexivity and Identification,’ The International Journal of Cinema, No. 2, July, 2016
- ‘Transformation of Visual Culture in Relation to the Spatial Experience of Postmodern Flâneurs: the Impact of MMORGs on Contemporary Chinese Cinema,’ Journal of Chinese Cinemas, Vol. 3, No. 1, 2009
- ‘姫別霸王：梅派旦角的革新與當代粵劇的實驗探索,’陳守仁及廖妙薇編, 南薛北梅：國際學術研討會論文集，粵劇學者協會出版, 2018
- ‘戲曲電影的時空佈局:任劍輝與黄鶴聲’, 黃兆漢編, 任劍輝硏究II, 2014
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Research Grant
- Wen-wu Stylistics and Image Design for Traditional Cantonese Opera since the ‘70s of 20th Century (粵劇文武生行檔藝術承傳: 物質及非物質文化遺產), research grant received from Hong Kong Arts Development Council and Chung Hua Book Co., (HK) Ltd., 2025
- Conservation of the Southern School of Cantonese Opera Art: A Case Study of Zhan Er Wang (南派傳統粵劇藝術—經典粵劇古本《斬二王》), research grant received from Cantonese Opera Development Fund, West Kowloon Cultural District, Leisure and Cultural Services Department, and Commercial Press Limited., 2019
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ADMISSION